Same woman, same fish stall, same market as the reference image — same navy apron over a floral shirt, blue rubber gloves, white visor cap, the same stainless tray of mackerel and croaker on ice. The LENS DOES NOT CHANGE: 50mm throughout. Only the camera's DISTANCE changes.
EXTREME LONG SHOT (establishing): the camera has walked about 40 metres back down the covered market aisle. The woman and her stall are a small distant figure deep in the frame, barely identifiable as her. The whole aisle surrounds her — rows of stalls receding on both sides, a chain of hanging bare bulbs, green tarpaulin overhead, shoppers between the camera and her. The place is the subject; she is an element in it. Real documentary photography. No real company logo, no real brand name.