Knolling photograph, shot perfectly straight down: the full kit for one clay stop-motion puppet laid out on a grey canvas work cloth in strict grid alignment — a bare twisted-wire armature skeleton lying flat with its arms and legs straight, a clay-covered body beside it, the character's round friendly head, then a row of ten small replacement mouth pieces in sequence from closed to wide open, a row of six eyelid pieces from open to closed, two tiny hands with wire fingers, clay sculpting tools sorted by size, a small tripod, a tie-down screw and a little hex key. Even shadowless light. No text, no letters, no logos.