A portrait of a person made without the person: a small storage unit in the basement of a Korean apartment building turned into a retired man's saxophone practice room. Walls lined with grey egg-crate foam, a single bare bulb, a folding music stand holding blank sheet music, an alto saxophone resting on its stand, a little box of spare reeds with several used ones lined up, a jar of honey and a thermos of ginger tea on a stool, a cushion tied to the seat of a plastic chair, a towel hung on a nail. The door left ajar to the dim concrete corridor. No people, no text, no letters, no logos.