Looking straight up under the eaves of a Korean Buddhist temple hall: the dense dancheong paintwork on the wooden brackets and rafters fills the entire frame (Korean dancheong, NOT Japanese, NOT Chinese) — malachite green and azure blue rafter ends painted with lotus and swirl patterns, vermilion red beams, crisp yellow and white outlines, layers of carved brackets stacking toward the centre, every round rafter end painted with a concentric flower. A strip of deep blue sky at one edge. Bright daylight bouncing up into the eaves. Maximum saturation, sharp detail. No text, no letters, no logos.