The cow at the bus stop, rural Korea in the 1990s, shot on grainy colour negative film: a small concrete country bus shelter beside a narrow road, and right behind it, over a low wooden fence, a big tan Korean hanwoo cow with short horns rests its chin on the top rail, chewing, watching the empty road. An old woman with a cloth bundle sits waiting on the shelter bench, both of them facing the same way. Rice fields, a power pole, a dusty roadside, a faded blank board on the shelter wall. Hazy summer afternoon. No text, no letters, no logos.