Oneuri, the orphan girl of Korean shamanic myth who travelled to Woncheongang, the land where the four seasons are kept, and became the goddess who keeps them (Korean folk belief, Korean traditional clothing and objects, NOT Japanese, NOT Chinese.), at a small rural weather observation station at dawn. A young woman with a long single braid in a plain white and indigo hanbok sits on the step of a white louvered instrument shelter, a blank open notebook on her knees, a bundle tied in cloth beside her. On the lawn around her: a rain gauge, a wind vane, a thermometer mast. Behind her one tree whose branches show spring blossom on the left, green summer leaves in the middle, red autumn leaves and bare winter twigs on the right. Pale dawn light. She fills about half the frame height. No text, no letters, no hangul, no readable signs, no logos.