Seonyeo, the weaver of the Korean legend of Yeonorang and Seonyeo, whose woven silk brought back the light of the sun and moon (Korean folk belief, Korean traditional clothing and objects, NOT Japanese, NOT Chinese.), working late at night in a tiny sewing workshop inside an old Korean fabric market building. A middle-aged woman in a plain cardigan over an old-style hanbok skirt sits at an industrial sewing machine under a single desk lamp, feeding through a length of pale silk that glows softly golden like morning sunlight, lighting her face and the shelves. Around her: stacked bolts of plain fabric, spools of thread, paper patterns pinned to the wall, a thermos, a cushion on her stool. Dark corridor outside. She fills about half the frame height. No text, no letters, no hangul, no readable signs, no logos.